Grow Your Manuscript
A Self-Editing Guide to Pulling Weeds and Strengthening Your Writing
April is the month to pull weeds so beautiful green and flowering plants can burst through the soft earth. Editing is like weeding our lawns, flowering plants, and gardens. If we don’t yank out the typos, redundancies, and inconsistencies—and revise and strengthen our manuscripts—the weeds will push through and threaten to choke the life from our beloved prose. Most important is an up-to-date edition of the Chicago Manual of Style. For writers whose publishers use MLA or Modern Language Association (used mainly for research papers) note the differences and learn what the publisher prefers. On the heels of the CMOS and MLA are the publisher’s guidelines. Request those from the publisher.
When you believe it’s time to pull weeds from the writing project, let it sit for at least two weeks. The waiting time gives the writer a fresh perspective to edit with a critical eye.
The following suggestions ensure your manuscript is weed-free and ready for the eyes of an editor:
Active Voice
Strive to make sentences active. Remember that “as” and “-ing” words tend to weaken a sentence. Note not all -ing words are passive.
Adverbs
Use sparingly and not with dialogue tags.
Do a global search in your manuscript for:
- “ly” with a space after it
- “ly.” with a period after it.
Avoid Clichés
Create your own metaphors and similes.
Beginnings
Begin with a strong hook that immediately draws the reader into the project.
Does your story begin with the lead character’s name and his/her current situation?
Chapter and Scene Hooks
Does every chapter and scene begin and end with a hook?
Characterization
Hero, heroine or protagonist:
- What is it about them that you like or dislike?
- Is there a positive and negative trait that is not yours? Create unique characters.
- If you were to spend a vacation with the hero or heroine, what about them would appeal to you?
Villain or antagonists:
- Is the character truly evil or badly behaved?
- What is the one trait that gives the antagonist a redeeming quality?
- Sol Stein states that no villain can attract victims unless he has charm, charisma, position, or wealth. Establish your villain’s manipulation strengths.
Chronology
Use a calendar to keep track of your chapters’ timeline.
Conflict and Tension
Include conflict and tension in every sentence.
Consistency
Spelling Numbers—written or spelled out
Cut Extra Words
Be clear and concise
Dialogue
- Clear and tight.
- In character, genre, and time.
- Punctuated correctly.
- Do you need a tag?
- Do you need a beat?
Emotional Conflict
Have you made it your goal to have emotional conflict in every sentence?
Every line?
Show emotions.
Examine Plot
Have you asked the four crucial questions about every chapter?
- What is the POV character’s goal or problem to solve?
- What does the POV character learn that is new information.
- What backstory is revealed?
- How are the stakes raised?
Genre
Have you written with a clear genre in mind?
How do you want the story to “feel” to the reader (creepy, brooding, inspirational etc.)?
Grammar
Invest in a grammar guide or English book.
Eliminate dangling participles.
Hyphen, En-Dash, and Em-Dash
Learn the differences, application, and correctly type the proper punctuation.
Consult publisher guidelines or The Chicago Manual of Style.
Plot
Is it tight?
Are there no holes?
Loose threads?
Pronoun Preference
Make sure the reader knows which noun the pronoun stands for.
Redundancy
Avoid repeated phrases
Don’t insult the reader by telling more than once.
Scenes
Rate every scene in your book. Each one should propel the story forward, constantly
building conflict and tension.
Smooth transitions
Sensory Perception
Does each scene use all the senses?
Sentence Order
Count the number of syllables: beans, cabbage, and tomatoes instead of huckleberries,
pear, and banana.
Count the number of words. He enjoyed green beans, deep-fried onion rings, and buttered
corn-on-the cob.
If all the items have the same number of syllables, then consider their position in the alphabet.
An exception to this is chronological order, obvious sequence, familiar sequence, and
unintended modifiers.
Sometimes the way we are accustomed to hearing items in a list contradicts the above.
guidelines. If the items in your list do not sound appropriate when you adhere to the above rule, change them so they are acceptable.
Tea with lunch, dinner, and breakfast should be tea with breakfast, lunch, and dinner.
Cream and peaches should be peaches and cream.
The bees and the birds (alphabetical sequence) should be the birds and the bees.
Gold, myrrh, and frankincense should be gold, frankincense, and myrrh.
Setting
Research more than you think you will ever use.
Fictitious towns are best.
Map out your town ahead of time, filling in street names, residential, business, etc.
Telling Words
Think
Know
Understand
Realize
Believe
Want
Remember
Imagine
Desire
Need
Text to Voice Software
Research software for what works best for you.
Scrivener has text to voice.
Word has this incorporated.
Vary Sentence Length
Do the sentences have rhythm?
Weasel Words and Phrases *research online for a complete list
Absolutely
Actually
All of
All right
As a matter of fact
As being
As yet
At all times
Basically, essentially
Beginning sentences with “There” or “It”
Being that
Cell phone cliches: pull out, scroll across, hang up
Completely
Definitely
During the course of
Each and every
Extremely
For all intents and purposes
For the most part
I mean
In order
In the process of
Just
Literally
Okay
Of course
Point in time
Pretty
Quite
Rather
Really
Shrugged
Simply
Smiled
So
Some
Somebody
Somehow
Someone
Something
Sometimes
Somewhat
Somewhere
Suddenly
That
Then
Thing
Totally
Up, down
Very
Which
Word Choice
William Shakespeare said: “Suit the action to the word, the word to the action.”
Word Frequency Finder and Phrase Frequency Finder.
http://www.writewords.org.uk/word_count.asp
Unintended Modifiers
Make sure all modifiers modify clearly what is intended.
Online Resources:
For a polished manuscript, print the writing project and read line by line. Read the project one last time before sending it to an agent or editor. Editing is cultivation. And cultivated manuscripts bloom.
Now relax. Tomorrow you can begin to grow the next manuscript.
DiAnn Mills is a bestselling author who invites readers to expect an adventure—where heart-pounding suspense meets unforgettable romance and faith shines through every challenge. Known for crafting gripping plots and richly layered characters, DiAnn believes every breath we take unfolds a story waiting to be told—so why not make it thrilling?
Her novels have appeared on the CBA, ECPA, and Publishers Weekly bestseller lists and have earned numerous honors, including the Christy, Selah, Golden Scroll, Inspirational Readers’ Choice, and Carol Awards.
DiAnn is a founding board member of American Christian Fiction Writers and serves as Conference Advisor for the Blue Ridge Mountains Christian Writers Conference. She is also active in Advanced Writers and Speakers Association, Mystery Writers of America, International Thriller Writers, the Jerry Jenkins Writers Guild, Outliers Writing University, and The Christian Pen. Passionate about helping others succeed, she invests in writers through mentoring, book coaching, editing, and dynamic workshops she teaches across the country.
A self-proclaimed coffee snob who roasts her own beans, DiAnn enjoys diving into good books, experimenting in the kitchen, and unabashedly spoiling her grandchildren—whom she insists are the smartest kids in the universe. She makes her home under the sunny skies of Houston, Texas.
Connect with DiAnn for behind-the-scenes glimpses, writing tips, and lively conversations at diannmills.com, or on Facebook, X, Instagram, Pinterest, Goodreads, BookBub, YouTube, and LinkedIn.